UPCOMING EVENTS


Post Moves | Tyler Blankenship
Jan
30

Post Moves | Tyler Blankenship

Sam Wenc is a composer, improviser, and interdisciplinary artist working with sound, text, performance and installation. As a multi-instrumentalist, he utilizes guitar, pedal steel guitar, vibraphone, electronics, field recordings, and found objects to compose structured and formless work that is curious about the themes and parameters of “folk" music…

View Event →
Adam Kantz | Abstract Black
Jan
25

Adam Kantz | Abstract Black

Adam Kantz is an improviser, composer, and creative coder currently based on the east coast of the United States. His work is rooted in the spirit of musical experimentation across a wide range of modern musical practices. He commits to the simultaneously self-determining and collaborative nature of musical improvisation as a compositional tool and works with an ever-expanding group of musicians and composers in the creation of new music…

View Event →
RIOT Revolt: Political Prisoner Letter Writing
Jan
11

RIOT Revolt: Political Prisoner Letter Writing

At 5pm we will be sending letters to support currently incarcerated political prisoners. These prisoners have been on the frontlines in the fight for black, indigenous, and working class liberation as well as fighting to protect plant and animal life. Stationary and light refreshments will be provided.

View Event →
Screensucking I: Paradigital Décollage - Opening Night
Jan
7

Screensucking I: Paradigital Décollage - Opening Night

Ash Richter (she/they) is a 29-year-old multimedia artist residing in Nashville, TN

presently producing work through the pseudonym @screensucking. Their work utilizes a wide

range of materials to create depth of layers, worn textures and stylized chaos.

The imagery and text that Richter tends to draw on for her work reflects culture playfully,

pulling objects from their normal context for their texture or following the trend of internet

absurdism. This starkly juxtaposes the context itself, which is reflected by the jagged, shattered

and monstrous effect that each piece has.

In this series, the artist is exploring ways of merging décollage with digital media

such as photo and video. The textures and colors are reminiscent of a post-digital age, while

the materials themselves are sourced from various time periods, and are often from vintage

magazines.

Via a process of decontextualization and re-contextualization, the imagery is

divorced from its meaning via destruction of the materials. Intentional wear and tear of

paper elements layered with thick, visible layers of glue all contribute to an absurdist take

on modern art, unrefined but highly processed.

Between physical, worked pieces and their process-based video, sensory imagery and

visceral feeling are a huge part of the work.

View Event →